The monument was designed by Johann Heinrich Strack, and the 8.3m golden statue on top of the column was added by Friedrich Drake and represents both the Goddess of Victory and Borussia, the Latin name for Prussia. Her face is supposedly based on Drake’s daughter and known as the Goldelse (Golden Else), or roughly translated as ‘Golden Lizzie’.
The official German name for the park known as The Tiergarten is Grosser Tiergarten, which helps to distinguish it from the district of the same name.
This huge park in central Berlin covers an area of some 520 acres roughly enclosed by the River Spree on its northern edge to the Tiergarten Strasse in the south, and from the Brandenburg Gate in the east to the zoo in the west.
The Strasse des 17 Juni runs through the centre of the park from east to west, and where it meets the Großer Stern (Great Star) the Siegessaule (Victory Column) stands sentinel over the whole park around it.
Only Templehofer Park (the former Templehof Airport) and the English Garden in Munich are larger so it’s best not to underestimate its size before deciding on where to go.
The name Grosser Tiergarten literally means ‘Large Game Park’ and gives a clue to its original use.
In the 16th century the Great Elector, Friedrich Wilhelm, turned this marshy ground into a hunting enclosure, but during the 17th and 18th centuries the area was gradually turned into more formal pleasure grounds for the people of Berlin – wide avenues were constructed, trees planted, and monuments erected.
In contrast to the other glass and steel structures in the square, the building is constructed out of peat-fired bricks with a design more reminiscent of a New York skyscraper. It soars 100 metres up into the Berlin sky and was completed in 1999.
Mainly built with office space in mind, I don’t suppose too many people will be overly enthusiastic about these statistics, but it might interest people more if I say that the fastest elevator in Europe catapults you up to the 24th floor in just 20 seconds where there is an open-air viewing platform with some of the best views in Berlin.
With the collapse of the Berlin Wall, the redevelopment of Potsdamer Platz must have been an architect’s dream. The square was divided up into four separate areas which were to be redeveloped by four different developers, one of which was the area now occupied by the Sony Center.
During the ‘Golden Twenties’, the site was occupied by ‘The Esplanade’, one of Berlin’s most prestigious hotels. Frequented by film stars such as Charlie Chaplin and Greta Garbo, the hotel was even used by Kaiser Wilhelm II who entertained guests in one of the hotel’s magnificent halls.
90% of the hotel was destroyed by allied bombing raids in the winter of 1944/45, with the Kaisersaal (as the hall became known) and the breakfast room the only rooms to survive. After restoration of what was left, it once again fell into disrepair following the building of the adjacent Berlin Wall.
After the Wall came down, what remained was listed as a historical monument, which created a problem for the architects of the new Sony Center. The outcome was that the Kaisersaal was moved 75 metres and incorporated into the new design behind a glass wall, and the breakfast room was dismantled piece by piece and re-created for the new Café Josty, the original being a popular Potsdamer Platz meeting place for artists in the early 20th century.
At a point where five roads converged at the old Potsdam Gate, Potsdamer Platz became the busiest and most recognized intersection in Germany – if not Europe. It became so busy that Europe’s first recognised traffic lights were installed in 1924 to help keep things moving.
Its heyday was during the Roaring Twenties, when film stars such as Marlene Dietrich helped catapult Berlin onto the world stage of show business. It was the place to be and be seen. Grand hotels were built to accommodate the rich and famous, as did luxury stores, bars, and restaurants. The inter-war years had been good to Berlin, but it wasn’t to last.
The memorial was conceived by journalist Lea Rosh and designed by New Yorker Peter Eisenman. The area is about the size of three football pitches and just a few minutes away from the bunker where Hitler committed suicide on 30th April 1945. Being flattened during the war, the site is in an area of high real estate value, which for some was probably a lost opportunity to make a good deal of money, but the Berlin authorities did the brave thing and endorsed the project with the hope that it would help the city come to terms with its inauspicious past.
Built between April 2003 and December 2004, the monument consists of 2,711 slabs of concrete known as ‘Stelae’ arranged in a grid pattern on sloping ground which Eisenman wanted to be an “uneasy, confusing atmosphere”. Apparently, he got his idea from the overcrowded Jewish cemetery in Prague.
It was the downtown centre for the locals when it was behind the Iron Curtain, and now one of the main focal points for the united Berlin of today – and no visit to the city would be complete without visiting Alex.
The square was the communist authority’s idea of a modern cityscape, and although it’s had its fair share of critics over the years, it wouldn’t surprise me if there wasn’t a fair number of people who wouldn’t want to see it change too much either.
At 368m, Berlin’s TV Tower is the tallest structure in Germany, so there’s no excuse for not seeing it.
There’s an enclosed viewing platform at 203 m, and fortunately you don’t have to climb up the 986 steps because one of the two lifts will whisk you up there in just 40 seconds.
It’s a good job the lifts are quick because they’re not very big and waiting times can be considerable.
Almost 1.2m visitors a year pay to come for a panoramic view of Berlin and if you don’t mind paying an extra premium you can have a fast track entry. Better still if you can get here for the 09.00 opening you won’t need to pay the extra and you won’t have to wait long either.
The prime reason for building the TV Tower wasn’t to give tourists a grandstand view of Berlin of course, but to provide radio and television transmissions, and also no doubt, to make a political statement that the GDR was capable of building structures every bit as impressive as those across the wall could – and in this instance, in my opinion, they were right.
The area on the north-east side of the Spree around Nikolaiviertel and Spandauer Str was the oldest part of Berlin. I say was because the events of the Second World War virtually wiped the whole area off the face of the map. Very little remained intact, and although the Nikolaiviertel district was put back together in a way that only the communist authorities could have thought looked good, the wasteland that was once known as Marienviertel, has been left more or less as an open concrete space between the river and the TV Tower.
Marienviertel is no longer known by that name, but literally speaking it means St. Mary’s Quarter, which pays homage to Marienkirche or St. Mary’s Church.
The church was the only building to be re-constructed in the quarter after the bombing and is worth visiting if only for its historical connection. The original church was built in the 13th century and now stands isolated on the edge of an unnamed square and adjacent to Karl-Liebknecht Str.
Berlin’s protestant cathedral was only forty years old when it was bombed by the allies in 1944, and it wasn’t completely restored until 2002. It’s never even had a Bishop’s chair – or even a Bishop – and yet it should be on every visitor’s list of things to see in Berlin.
Situated in the oldest part of the city opposite the Lustgarten, this neo-renaissance building was built by the young Emperor Wilhelm II as his private church to compliment his family’s city palace across the road. It immediately had its critics when the building’s religious significance appeared to take second place to the importance of the Emperor and the Hohenzollern dynasty, but somehow, it’s this connection with the German Empire that makes it especially interesting.
From the outside it almost looks as though the intention was to create a church on the lines of St. Peter’s in Rome but being a protestant church, I suppose it was more likely to have been influenced by somewhere like St. Paul’s in London.