Its small quayside sits under the shadow of a railway viaduct that crosses the River Tiddy near to where it joins the River Lynher. At one time the quayside used to handle minerals, coal, limestone and timber, but the working boats have long gone and now all you’ll see are a few boats used by the local sailing club. It’s a peaceful place to sit for a while doing nothing in particular, but there’s a bit more to the village than just a pleasant location.
The road runs for one and a half miles between the Marschallbrucke on the River Spree down to Hallesches Tor in Kreuzberg, but the most interesting part from a historical point of view, is the section between the bridge and Niederkirchnerstrasse where the Berlin Wall split the city into two.
Originating from the time of King Frederick William I, this once wealthy residential thoroughfare, developed into Prussia’s main government district with many of the buildings being taken over by the state, including the Palais Schulenburg for Otto von Bismarck’s Chancellery.
At the end of WWI, the area came under the control of the Weimar Republic, but on 30th January 1933 there was a new Chancellor – Adolf Hitler, who immediately set about building a new chancellery for the Third Reich at the junction of Wilhelmstrasse and Voss Strasse.
After Hitler’s suicide in the Chancellery bunker and the subsequent defeat of Nazi Germany in 1945, the street found itself within the Russian sector as far as Prinz Albrecht Strasse (now Niederkirchnerstrasse). Bomb damage and the Battle for Berlin had left the area in tatters, and as neither the Russians nor East Germans had any reason to save whatever was left, the land where Prussian palaces once stood, was now either part of No-Man’s Land separating East and West Berlin or built upon with Eastern Bloc architecture.
In contrast to the other glass and steel structures in the square, the building is constructed out of peat-fired bricks with a design more reminiscent of a New York skyscraper. It soars 100 metres up into the Berlin sky and was completed in 1999.
Mainly built with office space in mind, I don’t suppose too many people will be overly enthusiastic about these statistics, but it might interest people more if I say that the fastest elevator in Europe catapults you up to the 24th floor in just 20 seconds where there is an open-air viewing platform with some of the best views in Berlin.
With the collapse of the Berlin Wall, the redevelopment of Potsdamer Platz must have been an architect’s dream. The square was divided up into four separate areas which were to be redeveloped by four different developers, one of which was the area now occupied by the Sony Center.
During the ‘Golden Twenties’, the site was occupied by ‘The Esplanade’, one of Berlin’s most prestigious hotels. Frequented by film stars such as Charlie Chaplin and Greta Garbo, the hotel was even used by Kaiser Wilhelm II who entertained guests in one of the hotel’s magnificent halls.
90% of the hotel was destroyed by allied bombing raids in the winter of 1944/45, with the Kaisersaal (as the hall became known) and the breakfast room the only rooms to survive. After restoration of what was left, it once again fell into disrepair following the building of the adjacent Berlin Wall.
After the Wall came down, what remained was listed as a historical monument, which created a problem for the architects of the new Sony Center. The outcome was that the Kaisersaal was moved 75 metres and incorporated into the new design behind a glass wall, and the breakfast room was dismantled piece by piece and re-created for the new Café Josty, the original being a popular Potsdamer Platz meeting place for artists in the early 20th century.
At a point where five roads converged at the old Potsdam Gate, Potsdamer Platz became the busiest and most recognized intersection in Germany – if not Europe. It became so busy that Europe’s first recognised traffic lights were installed in 1924 to help keep things moving.
Its heyday was during the Roaring Twenties, when film stars such as Marlene Dietrich helped catapult Berlin onto the world stage of show business. It was the place to be and be seen. Grand hotels were built to accommodate the rich and famous, as did luxury stores, bars, and restaurants. The inter-war years had been good to Berlin, but it wasn’t to last.
It was the downtown centre for the locals when it was behind the Iron Curtain, and now one of the main focal points for the united Berlin of today – and no visit to the city would be complete without visiting Alex.
The square was the communist authority’s idea of a modern cityscape, and although it’s had its fair share of critics over the years, it wouldn’t surprise me if there wasn’t a fair number of people who wouldn’t want to see it change too much either.
At 368m, Berlin’s TV Tower is the tallest structure in Germany, so there’s no excuse for not seeing it.
There’s an enclosed viewing platform at 203 m, and fortunately you don’t have to climb up the 986 steps because one of the two lifts will whisk you up there in just 40 seconds.
It’s a good job the lifts are quick because they’re not very big and waiting times can be considerable.
Almost 1.2m visitors a year pay to come for a panoramic view of Berlin and if you don’t mind paying an extra premium you can have a fast track entry. Better still if you can get here for the 09.00 opening you won’t need to pay the extra and you won’t have to wait long either.
The prime reason for building the TV Tower wasn’t to give tourists a grandstand view of Berlin of course, but to provide radio and television transmissions, and also no doubt, to make a political statement that the GDR was capable of building structures every bit as impressive as those across the wall could – and in this instance, in my opinion, they were right.
When the book was written in 2003 the chapel was receiving around 45,000 visitors a year, but in 2004 the numbers were nearer to 70,000, and by the time the film had come out the annual figure had shot up to 159,000.
All this extra interest had substantial financial benefits for the chapel and the St. Clair family who own it, but it also had some drawbacks as well, one of which was the banning of photography inside the chapel to prevent inconvenience to others.
To be fair, it is a fairly confined space and the restrictions are understandable in a way, but for somebody like me it’s a big disappointment because I can’t show you the interior of this magnificent building.
“A picture paints a thousand words” as they say, and I could have taken scores of pictures in here, but as I’m someone who need a thousand words to describe something that should be said in just a few, you can see the problem that I have.
The New Town covers about one square mile and has over 11,000 listed properties, one of which is The Georgian House in Charlotte Square.
The square was designed by Robert Adam, whose vision was to make the rows of houses on each side resemble the front of a palace, but in the end only the North side stayed faithful to his original plan.
He is remembered mainly for his historical novels, but was also a prominent member of the Edinburgh establishment.
Born in Edinburgh in 1771, his poems and books brought him worldwide acclaim during his lifetime and when he died in 1832 it wasn’t long before enough money was collected to build this 200ft Gothic tower.
Claimed to be the largest monument to a writer anywhere in the world, the foundation stone was laid in 1840 and completed by 1844. It was built of Binny Sandstone from Linlithgowshire (West Lothian today), but unfortunately Old Reekie has done its worst over the years and by the 1990s the stone was in need of some urgent attention. After close examination, it was felt that cleaning would do more harm than good and so it was decided to just carry out essential repairs with stone from the original quarry. The differences can clearly be seen.
The space rocket-like monument is richly decorated with characters from his novels, and underneath the canopy is a statue of the man himself with his dog Maida.