The Young Pretender’s ambitions have gone down in folklore and often been romanticized to such an extent that the real facts have often become blurred. This was not just simply a battle between Highlanders and Lowlanders, Scots and English, or even Catholics and Protestants. It was probably more about returning a Scotsman to the throne of Scotland than anything else, but be that as it may, Charles Edward Stuart’s ambition came to an abrupt end on Culloden Moor against the Duke of Cumberland, son of the Hanoverian King George II.
It would be impossible to exaggerate the stark beauty and grandeur of the scenery, and my words and photographs can’t possibly do it justice, but it’s not just the skies that can give a bleak picture, it’s the glen’s history too – most notably, that of the Glencoe Massacre.
Lying under the Pap of Glencoe and near to the shores of Loch Leven is the tiny village of Glencoe, where you can find a monument to the massacre, which was not as straightforward as some would have us believe, but it was an unwarranted massacre nonetheless.
The New Town covers about one square mile and has over 11,000 listed properties, one of which is The Georgian House in Charlotte Square.
The square was designed by Robert Adam, whose vision was to make the rows of houses on each side resemble the front of a palace, but in the end only the North side stayed faithful to his original plan.
As the Vikings proved, Lindisfarne was vulnerable. The natural harbour provided protection for ships, but the island itself wasn’t safe from invaders: The Vikings may have gone, but there was still a threat from the Scots, and when Henry VIII dissolved the monasteries, including Lindisfarne Priory, an opportunity presented itself to put the priory’s remains to good use.
Initially, the Priory church was used as a naval storehouse, but as the need for reinforcing Beblowe Crag as a defensive fort became more important, then the stone from the Priory was used to build a new fortress.
However, the need for strong defences against the Scots became virtually unnecessary with the accession of James VI of Scotland to the throne of England, and consequently uniting the two kingdoms together:
Apart from the Royalist castle surviving a six-week siege during the Civil War and a short-lived Jacobite takeover in 1715, in truth, the castle didn’t really see that much action.
There are no palm trees here; in fact, there aren’t any trees at all, and if it weren’t for the wardens who monitor the islands, there would be no humans either.
The only bodies you’ll find lying around in the sun (if it’s out) are Atlantic Seals, who are joined by thousands of sea birds who also call these islands home.
Lying just two miles off the Northumberland coast at its nearest point, the Farnes consist of fifteen islands when the tide’s in, and 28 when it’s not. Separated by the mile-wide Staple Sound, the small archipelago consists of two main groups – the Inner Farnes, and the Outer Farnes, with Crumstone lying east of the main group, and Megstone to the west.
This UNESCO World Heritage Site lies about nine miles north of Salisbury and can be reached by the useful ‘Stonehenge Tour Bus’ which does a circuit between the city, Old Sarum, and Stonehenge.
The first obvious detraction from this iconic site is its proximity to the main A303 trunk road which has been constantly debated about ever since I can remember.
Not so long ago the A360 road to Devizes and the inadequate visitor centre were also bones of contention, but were both rectified by the closure of the road and the re-positioning of a new modern visitor centre 1½ miles away.
In my Salisbury Cathedral Pt 2 review I gave James Wyatt a bit of a rough time for his so-called improvements to the church, but I’m going to give ’Wrecker’ Wyatt a bit of credit here for a change.
Between 1789 and 1792 he embarked on his mission to improve the Cathedral and its surroundings including the churchyard which was situated in an area of swampy marshland. He removed the tombstones, drained the swamp, and created a landscape fit for a Cathedral.
It now stands in the centre of a large enclosed Green known as ‘The Close’, which is entered by one of three gates – the North Gate, St. Ann’s Gate, and Harnham Gate. Inside these gates is an oasis of peace and tranquillity no matter how many people come to visit the Cathedral. This is the largest Close in England with plenty of room for everyone and the buildings surrounding it are an absolute architectural delight. They’ve evolved over the centuries into a harmonious composition of different styles.
This painting was conceived from the artist’s imagination of course, but if you can be here when all the other visitors have gone, then it’s still possible to get a feel for the centuries of history that lie behind this evocative Cornish landmark.
Being Cornwall, it’s inevitable that this small rocky island half a mile offshore from Marazion, has attracted its fair share of myths and legends: Tales of seafarers being lured onto the rocks by mermaids were followed in the 5th century by an apparition of the Archangel Michael by local fishermen.
St. Michael (who is regarded as a protector from evil) is, amongst other things, the patron saint of fishermen, and his ‘appearance’ was seen as a vision to help keep the fishermen safe from harm.
The tradition of making a garland for the Tudor Hall at Cotehele House only started in the 1950s, but has since become a firm annual favourite at Christmastime.
People come from miles around to see this 18 metre (60 foot) long decoration that starts its life in the Cut Flower Garden at Cotehele. The seeds are sown in February, the flowers cut in the summer, and then hung in the potting shed to dry until the Autumn.
The aim is to get around 30,000 stems, but it will depend on the conditions which can vary from year to year.
In early November a 12mm diameter rope is laid out on the floor where bunches of evergreen pittosporum are attached and then hoisted up to the ceiling where it is hung in swags.
The flowers are then cut, sorted, and placed individually amongst the evergreen.
Apparently, the process from planting the seeds to the last flower being attached involves staff and volunteers working an equivalent number of hours to one full time employee a year.
The garland is usually on display from around the middle of November until the 12th night (Jan 6th), except Christmas Day and Boxing Day.
It may be small, but it’s a place worth seeking out if you find yourself in this part of the world. It has an interesting history and some lovely scenery nearby, and I’ve never understood why so few people come here.
Along with Barnstaple, Exeter and Halwell in South Devon, Lydford was one of the four principle Devon burghs that Alfred the Great created to defend his kingdom of Wessex against the Danes, and it was from this period that the town became an important coin minting centre.
Silver was the metal of preference for coins at the time and Lydford was fortunate in having a rich supply of the stuff nearby. The mines provided the silver and the ‘Moneyers’ made the coins. These silver coins were known as ‘Lydford Pennies’ and an estimated one and a half million of them were produced: A few of these have found their way into the Castle Inn, but if you happen to come from Scandinavia I wouldn’t mention the fact because most of these coins were whisked away by the Vikings during a late 10th century raid, and you have a far better chance of seeing some in Stockholm than you do in England.
Christmas 2015 saw Coleton Fishacre venture into the festive spirit for the first time and throw open its doors to show people how the D’Oyly Carte family would have enjoyed their Christmas in the 1920s and 30s.
In today’s modern age it all seems a bit low key which of course was how it was meant to be. To brighten things up a bit the gardens are illuminated, but don’t expect to see an extravagant sound and light show. Apart from anything else it wouldn’t be appropriate anyway.
The walk around the garden will probably take around 45 minutes or so, but that doesn’t include a mulled wine stop at the gazebo.
If the house is worth taking a look at, then the gardens of Coleton Fishacre are even more so. These gardens are my favourite in this part of the world, not only because they’re appealing and well designed, but their proximity to the sea makes them even more enchanting.
You would need a good couple of hours to do these gardens justice, and even then you wouldn’t see everything, so I’m going to highlight the things you shouldn’t miss.
There are a few routes that can be taken but I’m going to suggest taking the most obvious one that follows the stream down through the valley to the cliffs above Pudcombe Cove.
There is a wheelchair/pushchair friendly path that follows the stream downhill, but remember that going down also means that you have to come back up, and if mobility is a problem then it’s probably best to return the same way, as the other alternative routes aren’t quite so easy to negotiate.
The main path starts from outside the house but don’t miss the Seemly Terrace and Rill Garden. If you follow this route it joins up with the main path anyway a bit further on. Humidity is high in this 30 acre garden which is ideal for moisture loving plants, and as you continue down through the valley luxurious ferns and Gunnera soon come into view.
At the bottom of the valley there is a gate which leads out onto the coast path above Pudcombe Cove which is as far as the gardens go.
The National Trust owns several properties in South Devon and they all have something to commend them, but I think my favourite has to be Coleton Fishacre.
It’s a bit out of the way, but that’s one of the attractions of this estate that includes a magnificent garden that sweeps down to the sea and a house that evokes the bygone jazz age of the 1920s.
The man behind the creation of Coleton Fishacre was Rupert D’Oyly Carte, whose father, Richard, was the producer of Gilbert & Sullivan’s comic operas.
Rupert, who incidentally was also the inspiration for P.G Wodehouses’s Rupert Psmith, inherited the family business including the Savoy Hotel and Claridge’s in London.
It was on a sailing trip between Brixham and Dartmouth with his wife Dorothy, that he saw the potential of the valley above Pudcombe Cove for building a home on the coast.
It’s not difficult to see why they chose this spot, and in 1923 he set about building Coleton Fishacre which took three years to finish.
Lying along the western bank of the River Dart just before it reaches the sea, Dartmouth owes its very existence to the river. Primitive settlements were set up along the muddy banks as far back as Celtic times, but land reclamation over the centuries have seen the town develop into how it looks today.
During that time the deep natural harbour has seen many comings and goings: The 12th cent saw ships leave here for the Crusades, and Henry II’s marriage to Eleanor of Aquitaine saw a lucrative wine trade flourish with Bordeaux, but the most influential person in Dartmouth’s history was a local man by the name of John Hawley.